Georgia OKeefe (includes annotated bibliography) Essay -- art, America

atomic number 31 OKeefe (word count includes annotated bibliography)atomic number 31 OKeefe is a note outlayy American painter who painted well-favoured bloom of youths and landscapes. But she painted these images in such a way that many a(prenominal) throng believed she was portraying knowledge adequate imagery. OKeefes depictions of flowers in austere frontality and enlarged to giant denture were entirely original in region . . . the view into the open blossoms elicited an image of the fe manly psyche and invited erotic associations. (Joachimides 47) OKeefe denies these allegations and says that she magnified the weighing machine of the flower however to ensure people would notice them. (Haskell 203) OKeefes nontextual matter was misinterpreted because of cultural prejudice, her non-traditional livingstyle, and gender twist art unfavorable judgment. But in spite of these accusations, tabun OKeefes artwork was not based on sexuality.OKeefe was born on November 15, 1887 in Sun Prairie, Wisconsin. Her parents were dairy farmers and end-to-end her childishness she lived on her familys farm. tabun had a rough childhood growing up on the farm. Her engender did not especially the likes of her and when she was not busy ignoring her, she treated her truly badly. Although her mother disliked her, atomic number 31s obtain love her flatly and gave her the love her mother disadvantaged her of. But he in any case molested her, a tramatizing drawback that would follow her for the rest of her life. Although she k refreshed what her father was doing was wrong, she refused to admit this to herself because he was the only loved one she truly had. So, when atomic number 31s father left, she was heartbroken (Hogrefe 14). The abandon manpowert she must have felt when he left the family had repercussions for the rest of her life as she refused to get occlude to many of her staminate companions . . .her closest male friends were homosexual . . . and sh e spurned men who sought sexual intimacy with her. (15) after her father left, tabun was send to live with her aunt who punished her frequently by secluding her in her board and often by slapping Georgia in the face. When she was a teenager she was displace to an all girls embarkment school. This is where she was finally able to put one over art classes and build on her talent. Georgias mother did not allow her to be cultured, because it was forever detain in the ways of the belated 1800s and if you were a lady, it was not worth it (17).Georgia OKeefe was brought ... ...o beget the true essence of a flower you needed to be able to see it up close for a more personalised, intimate effect. To seek some amour as simple as a flower up close, you only then realize the extreme complexity that makes such an inconsequential thing so beautiful.Robinson, Roxana. Georgia OKeeffe A Life. New York Harper & form Publishers, 1989.This book goes through Georgias life in detail. I found a lot of personal quotes in this book that Georgia said about her work and the amateurism it received that really caught my eye. She was genuinely opinionated about her art, but at the same time, she could care slight about what any art critic had to say about it. finesse critics at the time of her careers peak were predominantly male and this book expresses the fact that male flag waving was a huge partake on the criticism of her work. This book also goes into the impression her constant transmute in her surroundings had on her work. Georgia her constant change in her surroundings had on her work. Georgia lived in several different split of America, Wisconsin, New Mexico, Arizona, California, New York, etc. and with individually move, her style change and reflected this new place. Georgia OKeefe (includes annotated bibliography) Essay -- art, AmericaGeorgia OKeefe (word count includes annotated bibliography)Georgia OKeefe is a famous American painter who pai nted beautiful flowers and landscapes. But she painted these images in such a way that many people believed she was portraying sexual imagery. OKeefes depictions of flowers in strict frontality and enlarged to giant scale were entirely original in character . . . the view into the open blossoms evoked an image of the female psyche and invited erotic associations. (Joachimides 47) OKeefe denies these allegations and says that she magnified the scale of the flower only to ensure people would notice them. (Haskell 203) OKeefes artwork was misinterpreted because of cultural prejudice, her non-traditional lifestyle, and gender bias art criticism. But despite these accusations, Georgia OKeefes artwork was not based on sexuality.OKeefe was born on November 15, 1887 in Sun Prairie, Wisconsin. Her parents were dairy farmers and throughout her childhood she lived on her familys farm. Georgia had a rough childhood growing up on the farm. Her mother did not especially like her and when she was not busy ignoring her, she treated her very badly. Although her mother disliked her, Georgias father loved her unconditionally and gave her the love her mother deprived her of. But he also molested her, a tramatizing drawback that would follow her for the rest of her life. Although she knew what her father was doing was wrong, she refused to admit this to herself because he was the only loved one she truly had. So, when Georgias father left, she was heartbroken (Hogrefe 14). The giving up she must have felt when he left the family had repercussions for the rest of her life as she refused to get close to many of her male companions . . .her closest male friends were homosexual . . . and she spurned men who sought sexual intimacy with her. (15) After her father left, Georgia was sent to live with her aunt who punished her frequently by secluding her in her room and often by slapping Georgia in the face. When she was a teenager she was sent to an all girls boarding school. This is whe re she was finally able to receive art classes and build on her talent. Georgias mother did not allow her to be cultured, because it was forever trapped in the ways of the late 1800s and if you were a lady, it was not worth it (17).Georgia OKeefe was brought ... ...o capture the true essence of a flower you needed to be able to see it up close for a more personal, intimate effect. To examine something as simple as a flower up close, you only then realize the extreme complexity that makes such an inconsequential thing so beautiful.Robinson, Roxana. Georgia OKeeffe A Life. New York Harper & Row Publishers, 1989.This book goes through Georgias life in detail. I found a lot of personal quotes in this book that Georgia said about her work and the criticism it received that really caught my eye. She was very opinionated about her art, but at the same time, she could care less about what any art critic had to say about it. Art critics at the time of her careers peak were predominantly mal e and this book expresses the fact that male chauvinism was a huge impact on the criticism of her work. This book also goes into the impression her constant change in her surroundings had on her work. Georgia her constant change in her surroundings had on her work. Georgia lived in several different parts of America, Wisconsin, New Mexico, Arizona, California, New York, etc. and with each move, her style change and reflected this new place.